Back in the mists of time, people like Kate Bush, Joni Mitchell and Kate Rusby were taking their first tentative steps along the road to a career as a musical superstar. All of them started out playing in pubs, village halls and folk clubs, and you can be sure that anyone present takes great delight in saying, “I was there”.

On a chilly March evening in a South Gloucestershire village hall, the emerging talent that is Harri Endersby has a near sell-out crowd utterly spellbound with her music, and it seems certain that, in a few years time, those of us present will be saying, “I was there”. You see, if there’s any justice in the world, HARRI ENDERSBY is headed for big things.

Is it because of her voice? It’s a thing of rare beauty, her range incredible. It soars to the rafters of Frenchay Village Hall, seemingly desperate to break the confines of the room.

Or is it is her musicianship? With three guitars at her disposal, Harri’s fingers dance over the fretboard with the ease and comfort of someone who is utterly at home with a guitar in their hands.

Perhaps it’s her songwriting? Harri has been writing songs since she was quite young, and she knows her craft. The subject matter and style is varied; memories of a beautiful sunset on a remote Scottish island (Golden Hour), stories of trees falling in love with girls (I kid you not! Love Song of a Willow Tree), a slightly darker reflection on dingy student accommodation in Durham (Shadows) and an evocative tale of stirred memories (Tobacco Tin). Harri Endersby can write songs. Really, really good ones.

It’s all those things, but there’s more to it than that. There’s just… something… that tells you that you’re in the presence of a very special talent. Harri draws you into her world, with her beautifully-written and performed songs, and her bewitching personality.

Alongside Harri sits her husband, Rich Marsh, perched on a cajon and surrounded by an array of percussion instruments and guitars, including, gasp, an electric one. This is a folk club, are electric guitars even allowed? “It’s nice to see Rich on an electric guitar again, because his roots are in metal, aren’t they?”, quips Harri. Rich nods and says yes; this is what he does on stage, no microphone for him, and one suspects that this is exactly how he likes it. He’s an unassuming presence, the perfect foil to Harri’s effervescent stage-presence, but his subtle percussion and understated and gentle guitar playing adds another dimension to Harri’s beautifully-crafted songs. A drumbeat here, a harmonic there… his contribution really lifts the songs to another level. The man is a seriously talented and sensitive musician, and Harri’s songs are all the better for it.

Together, the pair create layer-upon-beautiful-layer, songs rising to a crescendo before falling again into almost silence. It’s dynamic and enthralling, and you don’t want the evening to end.

Alongside Harri’s songs, there’s room for a couple of songs written by other people. A nice version of Johnny Flynn’s Detectorists and a stunning unaccompanied rendition of Ger Wolfe’s The Currah Road, a rendition of a traditional lullaby (sung in Scots Gaelic), and Wild Mountain Thyme are given the Harri Endersby treatment, and sit comfortably alongside her self-penned numbers.

Harri was not the only exciting young talent on display at Downend Folk Club on this night. BEN ROBERTSON is a young fingerstyle guitarist and singer, and he opened the evening’s entertainment with a range of folk instrumentals and songs from across the British Isles and Europe. Included are tunes like Warlocks and The King of the Faeries, which showcase his incredible guitar-playing, and songs like Going To California, in which we are treated to his voice, a resonant, character-filled thing. Ben went down a storm, and left the gathered music-lovers wanting more. More they shall have, surely, along the road.

But this is Harri Endersby’s evening. A special night in the presence of a special performer.

And “I was there”.

Words: Ant Miles
Photo: Chris Dobson

Just occasionally, a young musician appears as if from nowhere and gets people talking immediately. HARRI ENDERSBY is one of those rare finds, and she headlines our March concert.

From acoustic to electronic, Harri blurs the lines of the folk genre, drawing inspiration from both contemporary and traditional music, as well as the rugged landscape of County Durham, the place that she calls home.

Her debut album Homes/Lives, released in last year, has impressed critics around the country, and she has had tracks played on BBC Radio 6, Radio Scotland, and Radio Wales. Homes/Lives presents a transition in style, beginning with acoustic, stripped-back tracks whilst gradually introducing electronic instrumentation and beats as the album progresses.

Having first graced the club’s stage as a support act last year, she now returns for a full set, by popular demand from our regulars! Harri will be joined on-stage by her husband Rich, who also plays guitar and percussion.

Opening the evening’s entertainment will be BEN ROBERTSON, a young fingerstyle guitarist and singer who plays a range of folk instrumentals and songs from across the British Isles and Europe.

Tickets for the event, which takes place at Frenchay Village Hall on Friday 16th March 2018, are available from MELANIE'S KITCHEN or online HERE. They are priced at £11 each in advance (£9 for members), or £13 on the door. There will be a full bar, stocking Severn Cider, soft drinks, wine, hot drinks and locally-brewed real ale from Hambrook-based GREAT WESTERN BREWING CO., and also locally-made NAUGHTY BROWNIES. There will be a raffle with prizes including CDs, gift boxes of beer and sweet treats. You are encouraged to bring your own glass/mug/tankard/bucket as part of our drive to be more environmentally aware.

We are very excited to reveal our programme for Summer 2018.

It features three of the best up-and-coming acts on the folk scene at the moment, including a double BBC Radio 2 Folk Award winner, a former member of Bellowhead and a duo hailed by fRoots magazine as “spellbinding”.

Kicking us off on Friday 18th May at Frenchay Village Hall will be DAOIRI FARRELL. Seemingly arriving on the scene as a fully formed musician in the last year, Daoiri has in fact been studying traditional Irish music for a number of years and has accompanied most of the major names in Irish music including Christy Moore, Andy Irvine and Donal Lunny, all of whom are fans. Daoiri scooped ‘Horizon’ and ‘Best Traditional Song’ at 2017’s BBC Radio 2 Folk Awards. Opening the evening’s entertainment will be ROSIE HOOD, herself a former ‘Horizon’ nominee.

Our headliners on Friday 15th June will be RACHAEL McSHANE & THE CARTOGRAPHERS as we venture to a new venue at Downend School. Rachael is a singer, cellist, fiddle and viola player based in the North East of England. An original member of folk big band Bellowhead, Rachael toured internationally with them as well as making several TV appearances. Bellowhead recorded 5 studio albums, and won a total of 8 BBC Folk Awards in their 12 years together. She is now playing with a brand new band, featuring guitarist Matthew Ord and melodeon player Julian Sutton. The evening will begin with a set from local four-piece ROAD NOT TAKEN.

Rounding off the programme back at Frenchay Village Hall will be HANNAH SANDERS & BEN SAVAGE, on Friday 20th July. A chance meeting at their local Black Fen Folk Club in Cambridge uncovered Hannah and Ben’s shared musical passions and sympathies, that over time has developed into a unique and intimate show of American roots and English folk music. Huddled round a single microphone, singing intimate duets with just mountain dulcimer, dobro and guitar Hannah Sanders & Ben Savage are a folk duo that look & sound classically timeless, yet feel refreshingly unique. Exeter-based singer/songwriter & guitarist BEN MORGAN-BROWN.

Tickets for each event are priced at £12 each in advance or £14 on the door and are on-sale at MELANIE'S KITCHEN or online HERE, while you can also take advantage of our Members Season Ticket for £36 and avoid booking fees (only available online). Any problems, please email This email address is being protected from spambots. You need JavaScript enabled to view it..